So your lens looks alot like a BNCR, PV, or Arri PL mount due to it's locking mechanisms, but all of those have 4 prongs at 90* intervals, while yours is three, at 120* intervals. Very interesting.
That is a great guess. I didn't think of considering his lens was made by cinema products which made the CP-16R. The lens mount I've read about for the CP16r was a C mount (it's not a C mount) or CP mount, which is described as a 'mini BNCR'. I don't know what the hell a mini BNCR is, but the regular BNCR is four pronged. CP mount is a good guess, albeit very very rare type of mount.
So I'd say it could be the unknown & mysterious CP mount or the B4 mount (which we know is three pronged).
I've personally worked with B4 lenses in the past, and this does look B4 to me. Have you taken this to cinematography.com? They work with this stuff more than I.
Assuming it hasn't been converted to another mount, it is three pronged. Looks alot like B4, but they are probably only different by size, which I cannot tell looking at the photos.
The fact your lens was made by Cinema Products, I'm gonna have to settle with Bjingbar on this one.
It's a CP mount lens, only compatible with the CP-16r, according to the Professional Camera Man's Handbook, 4th edition.
That does make sense, as the mount is cinema products. No wonder it was a bear trying to trace it back. Still don't know too much about it ("very very rare" is right, I guess) but at least now I've got a starting point.
Actually the camera was very popular in the early 70's before the introduction of the Arriflex SR cameras. It was easy to put the film in the magazine but to lace the magazine onto the camera was another thing.
Mainly used for newsreel and documentaries, a good workhorse and never gave me any troubles