It's just a rumor ( http://www.joblo.com/index.php?id=9991 ) but apparently James Cameron's next film with not be Battle Angel Alita, but will be an original sci-fi project called Avatar. The script was leaked a few years back (no longer availible, sadly) but rumor has it that's it's amazing, although something of a cheesey love story a la Titanic. Whatever. I liked Titanic a lot.
It's supposed to be in 3D and made using his virtual studio. Assuming the technology is there, I'm really thrilled about this. I know not everyone is sold on 3D (including the vast majority of my friends who care about this stuff), but I am, so I'm stoaked. In my eyes, cinematography has always functioned to do two things: make stuff look cool, and add a sense of depth. Depth cues such as differences in color, lighting (back lights), camera movement, etc. have all existed to emulate 3D. Making a 2D plane look 3D is the cinematographer's main job, some would say. I'm sure there will be hitches along the way, but when sound and cinemascope were introduced it screwed aesthetic stuff up for a while, but there's no way we'd give up either now that we're used to them. Also, while your average film might not benefit from 3D, ultra-high budget sci-fi probably will. This is now my most anticipated film.
Also, I honestly think a transition to 3D is necessary. Every 20 years the film industry has introduced something to compete with radio/tv and with lower admissions, it's due again:
1895: First films.
1915: People get sick of the novelty of films, features introduced.
1925: Sound. (Competes with radio.)
1950s: Cinemascope, color. (Competes with TV.)
1970s: Sex, Violence, etc. (Competes with TV, which is now in color.)
1990s: CGI (Competes with HBO, which now has sex and violence.)
2010ish: 3D (To compete with widescreen color HDTV, DVDs, etc. etc.)
Well, maybe. Anyhow, I can't wait. Even if his next project sounded terrible I'd be first in line, and this sounds like a really good story, a cool new technology, and a good match between the two.
It's supposed to be in 3D and made using his virtual studio. Assuming the technology is there, I'm really thrilled about this. I know not everyone is sold on 3D (including the vast majority of my friends who care about this stuff), but I am, so I'm stoaked. In my eyes, cinematography has always functioned to do two things: make stuff look cool, and add a sense of depth. Depth cues such as differences in color, lighting (back lights), camera movement, etc. have all existed to emulate 3D. Making a 2D plane look 3D is the cinematographer's main job, some would say. I'm sure there will be hitches along the way, but when sound and cinemascope were introduced it screwed aesthetic stuff up for a while, but there's no way we'd give up either now that we're used to them. Also, while your average film might not benefit from 3D, ultra-high budget sci-fi probably will. This is now my most anticipated film.
Also, I honestly think a transition to 3D is necessary. Every 20 years the film industry has introduced something to compete with radio/tv and with lower admissions, it's due again:
1895: First films.
1915: People get sick of the novelty of films, features introduced.
1925: Sound. (Competes with radio.)
1950s: Cinemascope, color. (Competes with TV.)
1970s: Sex, Violence, etc. (Competes with TV, which is now in color.)
1990s: CGI (Competes with HBO, which now has sex and violence.)
2010ish: 3D (To compete with widescreen color HDTV, DVDs, etc. etc.)
Well, maybe. Anyhow, I can't wait. Even if his next project sounded terrible I'd be first in line, and this sounds like a really good story, a cool new technology, and a good match between the two.