professional subject line huh?
Anyway, I'm located in LA and my questions are many.
I have a solid, relatively speaking, sony consumer miniDV camera (sony trv-17) and would like to shoot a few shorts (probably indoors). I would like my audio to be better than what's recorded with the on-camera mic.
a) what equipment do I need?
b) how much will it cost?
c) I don't want it to cost as much as your answer to 'b' so where can I go/what can I do, to get it cheaper?
some notes:
-I already have a seinheiser shotgun mic that's pretty good. I guess I just need one of those furry things (I know that description just killed some of you audio guys -- sorry) to cover it.
-I shot a scene once already with a rented boom, a furry thing to cover the boom, and plugged the mic straight into the camera (with some sort of adapter to fit the mic port). It sounded better than the on-camera mic, but there was a noticeable *hiss* when you turned up the volume on the final project. I'm looking to avoid that.
-Oh, sometimes I will not have someone to hold the boom. So it will need to go on a stand. What stand and clamp do I need to buy for this? A simple 'C' stand? Will any stand work?
help me audio masters! I'm audio illiterate!
c.g. eads
Anyway, I'm located in LA and my questions are many.
I have a solid, relatively speaking, sony consumer miniDV camera (sony trv-17) and would like to shoot a few shorts (probably indoors). I would like my audio to be better than what's recorded with the on-camera mic.
a) what equipment do I need?
b) how much will it cost?
c) I don't want it to cost as much as your answer to 'b' so where can I go/what can I do, to get it cheaper?
some notes:
-I already have a seinheiser shotgun mic that's pretty good. I guess I just need one of those furry things (I know that description just killed some of you audio guys -- sorry) to cover it.
-I shot a scene once already with a rented boom, a furry thing to cover the boom, and plugged the mic straight into the camera (with some sort of adapter to fit the mic port). It sounded better than the on-camera mic, but there was a noticeable *hiss* when you turned up the volume on the final project. I'm looking to avoid that.
-Oh, sometimes I will not have someone to hold the boom. So it will need to go on a stand. What stand and clamp do I need to buy for this? A simple 'C' stand? Will any stand work?
help me audio masters! I'm audio illiterate!
c.g. eads