Doc Bernard
Indie Arms Member
Worked an overnight shoot, where they said "just show up, we got the gear".
Walked on set with a little trepidation, as this was a student film, but they agreed to my day rate. Been on those where the gear, well, let's just say, was lacking.
But on this set, they had a Shure FP33, SD 702T, and a KMR-84 mic waiting for me. Of course I had to put the gear all together and set levels, as it was all in pelican cases. Of course they didn't have all the cables needed, but ol' Doc never leaves home without his audio scrounge bag.
I want a 702T. I have only used them in messing around, or helping set it up and jam syncing cameras. But for this shoot, it was mine.
I hope they didn't mind getting it back with all the drool on it.
Walked on set with a little trepidation, as this was a student film, but they agreed to my day rate. Been on those where the gear, well, let's just say, was lacking.
But on this set, they had a Shure FP33, SD 702T, and a KMR-84 mic waiting for me. Of course I had to put the gear all together and set levels, as it was all in pelican cases. Of course they didn't have all the cables needed, but ol' Doc never leaves home without his audio scrounge bag.
I want a 702T. I have only used them in messing around, or helping set it up and jam syncing cameras. But for this shoot, it was mine.
I hope they didn't mind getting it back with all the drool on it.