How to achive this look?

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kqmtb2006

Member
Starting from around 150 seconds in or so basically the whole part thats not just cool graphics. btw I have access to most cs4 stuff, final cut studio 2 and shake. Also, whenever I do this optical flow retiming it dosent look as good as in this video. It has a few slow motion clips closer to the end. thanks.

link: http://www.pinkbike.com/video/69649
 
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kqmtb2006 said:
Starting from around 150 seconds in or so basically the whole part thats not just cool graphics. btw I have access to most cs4 stuff, final cut studio 2 and shake. Also, whenever I do this optical flow retiming it dosent look as good as in this video. It has a few slow motion clips closer to the end. thanks.

link: http://www.pinkbike.com/video/69649
Click to expand...

I don't quite see what is at 150, that would be difficult, for the most part the shots look like someone is really standing away from the action, only occasionally getting up close, and processing the footage with a 'cross process/bleach by pass', like effect.

Earlier in the sequence, up to 150 seconds or so, there was a lot of time lapsed footage, which was done presumably 'in camera'.

Occasionally thought I did see a bit of 'time remapping', that is speed up, slow down, and back to normal running.

In After Effects, you can do time remapping, using the 'graphical' form of displaying the time remap effect to speed up, slow down, etc.

However, one needs to be aware that 'slo mo', as seen in expensive film shots was footage shot at high speed. You can do a little 'faking' on that by taking normal '60i' footage, making each field into a 'full frame', hence have a faked '60' fps footage, then running that at 30 fps...

A couple of the consumer cameras have a short 'slo mo' mode. But I've not tried that option with mine as of yet...
 
For starters, he shot this with a Nikon D90 DSLR camera. That is where he is getting all the depth in his shots.
 
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