hello.
i just wrapped on a three week indie feature...
i did the usual dialog and ambient sound recording for the film but on top of that they really wanted a holophone h2 used as well.
i had so little time i didn't even get a chance to post on here before i got buried in preproduction and then had the shoot 12-16 hours a day for 3 weeks.
it was an interesting little piece of equipment, the windscreen, which looked a lot like a helmet as it went all around it and covered everything except the large single cable that carried the eight channels.
i had to get used to the deva V because i needed to record at least 6 off the 8 channels.
i had expected it to be super directional as it is a mic meant to record 5.1, 6.1 or even 7.1/imax surround, but the mics weren't very directional at all.
it seemed in fact like there were 8 omni modules all around the head.
when i had someone walk around it while talking the volume on all channels seemed almost exactly the same level wether they were directly in front of it or behind it.
i still love my 442/744 setup but there are a couple of neat things i liked about the deva but if anyone starts off wiith a deva V or even the IV beware, there are some things about that box that are VERY non-intuitive.
thank god for gotham sound, they were able to help me when i called in a panic a few times when i couldn't record and there was no obvious problem or sign of what was wrong.
i am looking forward to recording a show of a friend who is in the circus to see what i can do with a recording of the show with 8 channels of sound!
but for dialog i still wound up using the schoeps cmc6/mk41 for most of it and the standby favorite the 416 for a little bit of it.
i finally went and bought the cut-1 filter and was amazed how different it sounds with that.
the boom op i had noticed the difference immediately, he said that the noise he normally heard when he readjusted his hands before/between shots totally disappeared with the cut-1.
matthew
i just wrapped on a three week indie feature...
i did the usual dialog and ambient sound recording for the film but on top of that they really wanted a holophone h2 used as well.
i had so little time i didn't even get a chance to post on here before i got buried in preproduction and then had the shoot 12-16 hours a day for 3 weeks.
it was an interesting little piece of equipment, the windscreen, which looked a lot like a helmet as it went all around it and covered everything except the large single cable that carried the eight channels.
i had to get used to the deva V because i needed to record at least 6 off the 8 channels.
i had expected it to be super directional as it is a mic meant to record 5.1, 6.1 or even 7.1/imax surround, but the mics weren't very directional at all.
it seemed in fact like there were 8 omni modules all around the head.
when i had someone walk around it while talking the volume on all channels seemed almost exactly the same level wether they were directly in front of it or behind it.
i still love my 442/744 setup but there are a couple of neat things i liked about the deva but if anyone starts off wiith a deva V or even the IV beware, there are some things about that box that are VERY non-intuitive.
thank god for gotham sound, they were able to help me when i called in a panic a few times when i couldn't record and there was no obvious problem or sign of what was wrong.
i am looking forward to recording a show of a friend who is in the circus to see what i can do with a recording of the show with 8 channels of sound!
but for dialog i still wound up using the schoeps cmc6/mk41 for most of it and the standby favorite the 416 for a little bit of it.
i finally went and bought the cut-1 filter and was amazed how different it sounds with that.
the boom op i had noticed the difference immediately, he said that the noise he normally heard when he readjusted his hands before/between shots totally disappeared with the cut-1.
matthew