I'm going to be helping with the sound on my fourth short this summer. I will be using a Marantz pmd660 or 661 (not mine). I've used a Zoom h4n and an Edirol cheapie. I'm holding the boom and running the recorder.
My question is, how can I do this and give justice to both? What I'd like, is a holder that I could wear that would hold the monitor on my chest, and an angle, so I could just look down and check the sound from time-to-time. That way, I wouldn't have to hold the recorder in the same hand as the boom, which is terribly awkward and potentially disastrous. (I almost dropped the Zoom into Folsom lake when we were doing a water scene for one of the films...not good...)
I know Porta brace offers a case for the pmd661, but it's expensive and I don't see how it would hold the recorder at the angle I want.
Any ideas? How do the pros manage this on a small crew when they are the only sound guy?
Thanks.
My question is, how can I do this and give justice to both? What I'd like, is a holder that I could wear that would hold the monitor on my chest, and an angle, so I could just look down and check the sound from time-to-time. That way, I wouldn't have to hold the recorder in the same hand as the boom, which is terribly awkward and potentially disastrous. (I almost dropped the Zoom into Folsom lake when we were doing a water scene for one of the films...not good...)
I know Porta brace offers a case for the pmd661, but it's expensive and I don't see how it would hold the recorder at the angle I want.
Any ideas? How do the pros manage this on a small crew when they are the only sound guy?
Thanks.

