Jay Rodriguez
Coffee Member
As an indie filmmaker I struggle with this one.
If I were to shoot a good film on 35mm film, does that automatically open up more doors of opportunity for me? I read a boat load of articles about this and it always troubles me when I read stuff like this: Susan Peterson, VP of dist. for Hypnotic Films " Unless someone is looking for student films then format does matter." EEK!!!!!
Another quote: "Among the distribution group, we prefer 16mm and 35mm over DV."
Another EEK!!!!
I know film is king and the story is god, trust me I know this but is the movie looked highly upon because of the image and feel that film provides and because most dv movies look like dv movies?
What if the same film was shot on DV but looked REALLY close to film with the help of the G35, mini35, etc then will it be accepted more widely or does the term DV just kill some opportunities?
If I were to shoot a good film on 35mm film, does that automatically open up more doors of opportunity for me? I read a boat load of articles about this and it always troubles me when I read stuff like this: Susan Peterson, VP of dist. for Hypnotic Films " Unless someone is looking for student films then format does matter." EEK!!!!!
Another quote: "Among the distribution group, we prefer 16mm and 35mm over DV."
Another EEK!!!!
I know film is king and the story is god, trust me I know this but is the movie looked highly upon because of the image and feel that film provides and because most dv movies look like dv movies?
What if the same film was shot on DV but looked REALLY close to film with the help of the G35, mini35, etc then will it be accepted more widely or does the term DV just kill some opportunities?