gumonstro Well-known member Mar 4, 2009 #1 I'm thinking about adding 3x the actual fluorescent lamps' amount on the ceiling. Any ideas? We're going Sony EX-1 + M2. I consider achieving gain.
I'm thinking about adding 3x the actual fluorescent lamps' amount on the ceiling. Any ideas? We're going Sony EX-1 + M2. I consider achieving gain.
J James Fox Active member Mar 5, 2009 #4 No I mean is the actaul bus going to be moving or is the outside/background going to be, for lake of a better term, faked or green screened?
No I mean is the actaul bus going to be moving or is the outside/background going to be, for lake of a better term, faked or green screened?
Z zeroblank Well-known member Mar 8, 2009 #5 Is it a city bus that's well lit or like a greyhound bus that's a little dimmer? Whats the look you are trying to achieve?
Is it a city bus that's well lit or like a greyhound bus that's a little dimmer? Whats the look you are trying to achieve?
j Veteran Mar 9, 2009 #6 I shot a low budget feature set 50% on a bus. We shot for 3 days and nights on a bus, some moving, some PMP. I wrote about it in an online journal, there should be lots of useful nuggets for you to learn from my mistakes. http://emrl.com/j/greydog/ Hope this helps, and don't forget the non-drowsy Dramamine...
I shot a low budget feature set 50% on a bus. We shot for 3 days and nights on a bus, some moving, some PMP. I wrote about it in an online journal, there should be lots of useful nuggets for you to learn from my mistakes. http://emrl.com/j/greydog/ Hope this helps, and don't forget the non-drowsy Dramamine...