Help! I'm stuck.

C

Chelsea8882

Member
I have been working on a screenplay for a couple of days now (Not a long time, I know.)

I have eight full pages, and I know where I want the script to go.

The problem is that the way the story is told is sort of non linear and a little erratic. I know what happens in the story linearly, but I don't know how I want to represent it non-linearly.

Does that make sense?

Anyway, what would you guys do in this situation?
 
check out memento aswell.

perhaps use a timeline and map everything out linearly and then rearrange the sequences/scene pieces to the new structured format of the film. After you've organised all scenes and established their place in the script it's just a matter of writing it.

JT.
 
Write each scene and/or plot point onto an individual 3x5 card. Lay them out in the linear order to make sure that every thing matches up and the story is complete.

Then rearrange the cards to your hearts content ... once they are in the order you want to tell the story, write the script in that order.
 
Thanks for the responses, guys. This is my first non linear script, so I'm having some trouble. Any help is always appreciated :)
 
Use the 3.5 index cards like Larry suggested.

The framework that Blake Snyder preaches should still be adhered to (Save the Cat). In a linear script the first plot point appears on page 12 and truly starts the story. Half way through a second plot point spins the story in a new direction.

When you lay out the cards linearly mark the proper cards with PP1 and PP2. Swap them. Figure out which two cards could be best used introduce your main characters and put them as the first two scenes (before your new PP1). Figure out how this mess should end and put that card at the end. That should get you 50% there...

Good Luck,

Bob
 
Instead of writing the script, perhaps you could be working on your outline and treatment. This will give you a clear perspective of your story.

Also have a strong understanding of your theme. Try using Aristotle's dialectical statements.

And the best medicine for any kind of writer's block is always research.

Good luck!
 
Some good advice above.

The biggest danger is having your audience scratching their heads wondering where they are in the story. There is a difference in rearranging the parts, and losing continuity. Pulp fiction was certainly non-linear, but somehow it never lost the sense of continuity, and in the end, all the parts fell into place in the viewer's mind.
 
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