HVXOU
Well-known member
Hey everyone. Somehow I managed to send an OMF with the correct settings (23.976FPS, 16 bit, 48kHz) and a PAL (25fps) video to an outsource audio source.
The Outsource audio guy used a 25 FPS timeline to edit the audio, and he has done quite a bit. It has taken me until just now to figure it out, and the film is a feature length.
Is there a way to take the audio that has been edited in a ProTools 25 FPS timeline, 16 bit, 48 kHz file and place it synced correctly with no loss to a 23.976 timeline in FCP?
Please, any advice would be great!
The Outsource audio guy used a 25 FPS timeline to edit the audio, and he has done quite a bit. It has taken me until just now to figure it out, and the film is a feature length.
Is there a way to take the audio that has been edited in a ProTools 25 FPS timeline, 16 bit, 48 kHz file and place it synced correctly with no loss to a 23.976 timeline in FCP?
Please, any advice would be great!