I have a client project where someone shot on green screen, not awful job but a major spill issue with them standing on green screen and not controlling the light bounce. So they have the reflection of green on their chins and under their hands and arms when they move due to the lights angled down then bouncing off the floor.
I have it pretty cleaned up and screened outside of that (mildly impressed with myself since I haven't done green screen in years), but I can't for the life of me get rid of the green reflections on their arms. It's not their arms disappearing into the screen, but just a blatant green tint to the lower side of their arms and hands specifically.
My thought was to use 3-way color corrector and try to isolate the color and de-saturate and tune it to be more natural but I can't isolate it consistently.
I also can use After Effects also, I just stuck with FCP out of initial convenience, considering re-starting in AE... tips and tricks appreciated! The client is satisfied with it for the most part, they understand the difficulty I ran into with the way it was shot. They hired reality show camera-op so they also refused to keep steady shots (zoom, whip-pans, etc) so I had a ***** of a time with motion tracking manually on the green screen. I can't help but feel like I am not doing them justice by just blaming the shooters and director.
This is why I prefer being hired for production and post for these small projects, just doing post is more work!
I have it pretty cleaned up and screened outside of that (mildly impressed with myself since I haven't done green screen in years), but I can't for the life of me get rid of the green reflections on their arms. It's not their arms disappearing into the screen, but just a blatant green tint to the lower side of their arms and hands specifically.
My thought was to use 3-way color corrector and try to isolate the color and de-saturate and tune it to be more natural but I can't isolate it consistently.
I also can use After Effects also, I just stuck with FCP out of initial convenience, considering re-starting in AE... tips and tricks appreciated! The client is satisfied with it for the most part, they understand the difficulty I ran into with the way it was shot. They hired reality show camera-op so they also refused to keep steady shots (zoom, whip-pans, etc) so I had a ***** of a time with motion tracking manually on the green screen. I can't help but feel like I am not doing them justice by just blaming the shooters and director.
This is why I prefer being hired for production and post for these small projects, just doing post is more work!
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