ive got the 4000 too and the dvx it works great the best setting i have found is i have 2 on each of the bolts on the bottom and i put one on the centre post as 6 was too heavy and 4 to light...it works like a dream...Paul
[quote author=procam link=board=Links;num=1097287318;start=0#1 date=10/09/04 at 12:44:27]ive got the 4000 too and the dvx it works great the best setting i have found is i have 2 on each of the bolts on the bottom and i put one on the centre post as 6 was too heavy and 4 to light...it works like a dream...Paul[/quote]
How do you stop the one in the middle from shifting, given that the center hole in the weight is larger than the pole?
I was considering buying the glidecam but I didn't see if was able to shoot very close to the floor by inverting the pole. What do you guys think of the steady tracker ( steadytracker.com )
Ok I'll buy that ... but is there a way of shooting close to the ground?... If not maybe a mod can be made for an inversion bracket? Should I buy it from the glidecam website?
have you guys done the vertical balance test? holding the glidcam+dvx horizontally in front of you and then dropping one side, how long does it take to pass 90degs? and does it swing the full 180deg arc?
I was wondering, how heavy your glidecam + dvx weigh procam? My stabilizer + dvx + panamorphic lense equals rough and heavy ten pounds. My wrist is still intact surprisingly...
i just weighed mine and it surprised me the whole lot with a shotgun mic is 9.5 pounds...and my wrist is still intact but im looking to get the smooth shot unit when it comes out between now and xmas ....so then i wont have to hold it ...
I know you've had a look at the 'French Glidecam' from over on another thread - have another look. There are clips of l'Aigle (The Eagle, in case anyone was wondering) being used in low mode.
I heard that Glidecam was suppose to come out with a vest and arm to attach to the 4000. It should make the unit easier to use and more smoother. I use the 4000 for a music video and broke a serious sweat after several minutes. The footage looked great at the expense of using some muscles I never used before. Balancing the unit is simply, connect the platform to the base of the DVX, use the side screws to move the camera to a center position, extend the rod a couple of inches and then slowly put the weights on each side, rest the unit on a level surface, then pick it up and observe which way it is swinging. If its top heavy, add more weights. It takes a little bit of tinkering until you get it balanced. You will know its balanced when you pick up the glidecam and it doesn't sway left or right or forward or backward. If its forward or backward, adjust the screws near the base where the dvx is bolted to. It took me 1 hour on the first try and I was getting frustated. After I PA-ed on a short movie, I notice how a steadicam operator was balancing his unit and he gave me some advice. Now I can balance it in about 10 minutes