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GH4's large sensor and cinematic expression are more suitable for cinematic productions. It's quite cheap vs in 2007. No brainer choice.
It'll not be cost effective trying to achieve the same thing on the HPX-250. It's great for unscripted doc, live broadcast. Certainly has that clean video look.
I don't think there can ever be a one cam solution that will cover the entire spectrum of tv & film production. You'll likely have to have many cam types for different production needs. Example: Live sports coverage that require precision servo zoom and super telephoto with optical stabilizer capability (100x+ zoom) on a Red Dragon camera is plain wrong for its intended purpose.