sheeep
Active member
I hope this is an alright to have this discussion, if not mods please move it to whichever section is more applicable.
Last year there was the terrible incident of a kid from NYU getting killed operating a condor. There was a short article on the whole thing in some local NY freebie newspaper, and the gaffer that was hired for the shoot was being sued for about four times his worth, from the parents, the school, etc.
He had no formal training as an electrician, and got the job off craigslist.
I'll admit that I have no formal training either, and I think it's not a stretch to say that most members of G&E crews working on sub-million budgets don't either. That's not to say people aren't safe because they don't have certification or electrical education.
I think both departments have, to some extent, responsibilities that include the safety of others. Rigging a light so it doesn't fall is a responsibility, safe power distros as well. But there's no legal backup, no army of union lawyers to protect us on smaller shoots. The insurance covers the equipment, not us.
I don't want to sound paranoid about lawsuits, but I think there is a fine line that could be discussed here. Does anyone take any preventative measures on shows, some sort of paper agreement between production put in deal memos?
Last year there was the terrible incident of a kid from NYU getting killed operating a condor. There was a short article on the whole thing in some local NY freebie newspaper, and the gaffer that was hired for the shoot was being sued for about four times his worth, from the parents, the school, etc.
He had no formal training as an electrician, and got the job off craigslist.
I'll admit that I have no formal training either, and I think it's not a stretch to say that most members of G&E crews working on sub-million budgets don't either. That's not to say people aren't safe because they don't have certification or electrical education.
I think both departments have, to some extent, responsibilities that include the safety of others. Rigging a light so it doesn't fall is a responsibility, safe power distros as well. But there's no legal backup, no army of union lawyers to protect us on smaller shoots. The insurance covers the equipment, not us.
I don't want to sound paranoid about lawsuits, but I think there is a fine line that could be discussed here. Does anyone take any preventative measures on shows, some sort of paper agreement between production put in deal memos?