grinner
Carbonite Member
just venting...
So i got hired by a local artist to shoot some of her work for a DVD for consideration for a grant. As she spoke, I saw her passion and wanted to tap nto that so I had her give me a tour of her works and I shot it documentary style. We agreed on a flat rate for this. She came by and watched the rough cut and had tweeks as I suspected. I spent another day doing those. I was still coming out fine.
Last night after too many bong hits she called me with an epiphony. Oh boy.
She wants the hole thing completely silent with just clean statics of each work of art. I'm starting over.
fooey.
rule of thumb... if your client hits the pipe, make sure they are hitting it when you shoot the first time.
So i got hired by a local artist to shoot some of her work for a DVD for consideration for a grant. As she spoke, I saw her passion and wanted to tap nto that so I had her give me a tour of her works and I shot it documentary style. We agreed on a flat rate for this. She came by and watched the rough cut and had tweeks as I suspected. I spent another day doing those. I was still coming out fine.
Last night after too many bong hits she called me with an epiphony. Oh boy.
She wants the hole thing completely silent with just clean statics of each work of art. I'm starting over.
fooey.
rule of thumb... if your client hits the pipe, make sure they are hitting it when you shoot the first time.