SantaCruzMichael
Well-known member
Does anyone have experience flying a camera rig on wires?
I'd like to put together a system that does what the NFL's Cablecam (http://www.cablecam.com/) does but on a much smaller, single-axis scale.
Specifically, I shot a runway modeling show on Saturday night that was extremely crowded, limiting my ability to get the variety of angles I wanted. On Sunday, I was lying on the beach mulling over what could have worked better. My first thought was to bring a jib next time and work that over the heads of everyone in the first two rows.
Then I started thinking more abstract. For example, what if I put two c-stands (or something heavier) at either end of one side of the runway... positioned a short extension arm horizontally over the top of each stand, put a pair of Hollywood heads on that rod about ten inches apart... run two 25' steel cables parallel down the side of the runway, and through the Hollywood heads... hung 50lbs worth of shot bags from each cable end... and then ran a little camera platform back and forth on the pair of cables?
To pull the rig back and forth, a third line would run down the middle of the support cables, attach to the camera platform with springs to buffer movement.
If it needs stabilization, a couple Kenyon gyros attached to the platform might do the trick but, with their battery packs, would add a lot of weight to the setup.
Hmmmm, anyone have suggestions, or experience with a setup like this?
I think I have a couple more shows like this coming up... and who knows where else this rig might be useful.
Cheers!
Michael
I'd like to put together a system that does what the NFL's Cablecam (http://www.cablecam.com/) does but on a much smaller, single-axis scale.
Specifically, I shot a runway modeling show on Saturday night that was extremely crowded, limiting my ability to get the variety of angles I wanted. On Sunday, I was lying on the beach mulling over what could have worked better. My first thought was to bring a jib next time and work that over the heads of everyone in the first two rows.
Then I started thinking more abstract. For example, what if I put two c-stands (or something heavier) at either end of one side of the runway... positioned a short extension arm horizontally over the top of each stand, put a pair of Hollywood heads on that rod about ten inches apart... run two 25' steel cables parallel down the side of the runway, and through the Hollywood heads... hung 50lbs worth of shot bags from each cable end... and then ran a little camera platform back and forth on the pair of cables?
To pull the rig back and forth, a third line would run down the middle of the support cables, attach to the camera platform with springs to buffer movement.
If it needs stabilization, a couple Kenyon gyros attached to the platform might do the trick but, with their battery packs, would add a lot of weight to the setup.
Hmmmm, anyone have suggestions, or experience with a setup like this?
I think I have a couple more shows like this coming up... and who knows where else this rig might be useful.
Cheers!
Michael