First time out, lessons learned

This weekend was my first time out as a sound mixer on a set with my new setup. The gig was Envision's DVXUser Dramafest entry. There were quite a few pros on set (a real steadicam op with a huge IMDB page, pro makeup artist, first AD, set decorator, gaffer, etc) so I felt the pressure to not screw things up.

I had a good boom op which was great. My setup was a SD302 mixer going out to a marantz pmd660 and then a wireless mic going out from the mixer into the camera (HVX200). I could not run wires to the camera because of the steadicam. For indoors I used the CK93 blueline and for outdoors I used the mkh60 with KTek KZepp. I was wearing headphones off the 660 and my boom op had headphones off the SD302. It was really nice because he could get the immediate feedback on what changes he needed to make for the next take.

Overall, I felt pretty dang good about the day. You all can see my work when the movie is released in a few weeks. There were some interesting things I learned.
1. I wasn't able to get the mic as close as I wanted whenever the steadicam was involved or the camera would follow someone up stairs, etc. But the CK93 has a great bubble of reach and nice falloff, so hopefully it won't be too noticeable.
2. I wish I had put sound blankets on the floor whenever we were on the kitchen floor. Every time they walked you could hear footsteps. Damn. Next time I film a scene in a kitchen, bathroom or any place with hardwood, tile or stone floors they talent will only be standing on blankets.
3. I ended up having to use my BBG on my blueline for the first time ever indoors because there was a scene in the kitchen where the boom op had to quickly swing the mic about 7 feet and we were getting a noticeable whoosh rumble. Popped the BBG on and it fixed it nicely.
4. Carbon fiber boompoles are awesome. I didn't have one but Envision had the cheap Gitzo one that goes to 12 feet. I'm now sold on buying it.
4. KTek KZep is awesome and worked like a champ outdoors.
5. I hate recording in nearly empty houses. The climax of the movie took place in the nextdoor house and it had huge lofted ceilings and barely anything inside it. The result? An echo'y tinny sound that I couldn't do anything about.
6. I hate neighborhood dogs. I wanted to strangle all of them.
7. The CK93 sounds awesome, deep and rich. Dang I love that mic.
8. The SD302 is worth every penny. An accessory I bought on a lark that I am so glad I did is the miniXLR to 1/8" adapter that can feed the TAPE OUT plug to a stereo minijack is a good thing to have in the bag.

Well that pretty much sums up my first weekend as a sound mixer, here are some pics!
-Shawn
 

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Cool report Shawn. Thanks!

The only thing I can see from your pictures that you might want to consider is the Petrol harness. My back hurts looking at you hunched over your bag with the PortaBrace shoulder strap around your neck. I would imagine that the Petrol harness will work with the PortaBrace bag.

Phil
 
I've got a big porta bag that I use when I'm running pro gigs... maybe I'll bring my petrol tomorrow and see if it fits. I'll be doing run 'n gun for Inside Edition... if you have that show in your local market then you should hear my job within a week... this one should be a quick turn (I expect).

I'm glad you commented on that gitzo boom. I have several items that I call "my favorite thing in the kit"... so technically it's a lie to keep calling certain items my favorite... but for the price that gitzo pole is freakin' nice... and the CF construction is much more dead then an aluminum pole. Also... how 'bout them collars? Not too shabby huh? If you didn't know better you'd never think that thing was a budget pole.

I can't wait to hear Envision's entry... I absolutely love to know what happened BTS before I see the final edit... now I'll be looking forward to it.
 
Putting blankets down can help minimize footsteps, but it can also make a bit of a hazardous situation for the actors. A piece of carpet is better. But another thing to try is to have them take their shoes off, if that makes more sense for the circumstances.
 
Yeah. Or, just pad the bottom of the shoes. A leather instep, or one of those foamy things. Often times, in plays we tape the bottom of our shoes, because the stage floors are hollow and echo a lot.

Jason
 
Barry_Green said:
Putting blankets down can help minimize footsteps, but it can also make a bit of a hazardous situation for the actors. A piece of carpet is better. But another thing to try is to have them take their shoes off, if that makes more sense for the circumstances.
there is agaffer tape for that isiue
 
Go with the carpet (or at least have some in your car). Often on low-budget, the actors provide their own shoes, and really don't want tape/mole skin/foam on the bottom of their shoes, and I don't blame them.

Phil
 
carpet is pretty good, i have varying amounts in black, grey and white. Whats cool is that having different colours lets you pick carpet that either works with the art depts decor in a pinch, or isnt noticable if it creeps into the frame (on dv cams, a white carpet on white tiles is not always obvious.)
 
Nice report Shawn, thanks :thumbsup:

shawneous said:
6. I hate neighborhood dogs. I wanted to strangle all of them.


Dogs I can live with. A PA and a jar of peanut butter easily handles them (if they dont want to munch on the peanut butter perhaps they will munch on the PA...if the PA starts screaming, fire him).

Personally, I save all my hatred for the Wright brothers.
 
if any of you poked into Envision's thread for this short in the Dramafest, Where Silence Falls, you'll see he had this panic moment after the shoot saying he was going to have to ADR nearly everything. Needless to say, I was way confused. It turns out Norm was referring only to the on-camera tracks that had been wirelessly transmitted via a Sennheiser G2. The steadicam op had a wireless video transmitter (very powerful) that pissed all over my wireless. But the pmd660 CF files were golden. So 100% of the audio in the short that you can all watch tomorrow (or whenever they go live) is my recordings. And as my ultimate compliment, Norm said he ADR'd some (I guess when he thought the audio wasn't there) and ended up throwing it away.
 
That's why I do it the same way. That backup works out great when you least expect it... plus you can do a high bit-rate mp3 and record all day with space to burn.

When I can't run a snake I've been using a wireless transmitter on-cam to send to a receiver in the mix-bag... then I plug that into the return... this way you can remain 100% wireless... sending all the audio wirelessly to the cam... and the cam simultaneously sending you the return wirelessly for confidence.

Eventually you'll want to get another wireless set. It's best to have things wired when possible, but the convenience of this is simply to much to ignore.

Am I getting a drop in the send or the return? It doesn't matter... if the wireless isn't performing well then I know there COULD be problem in the cam audio and I do something about it. So far it hasn't mattered anyway... it almost always works great... and on the rare occasion that it doesn't I force the cam op to deal with a snake. (The NORM is to run a snake anyway... I'm saying if my plan was wireless and that doesn't work out then I go back to the snake.)
 
shawneous said:
Do you know if the Petrol harness, http://www.bhphotovideo.com/bnh/controller/home?O=Search&A=details&Q=&sku=365903&is=REG&addedTroughType=search will work with my Portabrace bag? I was going to buy the Versa-Flex harness http://www.bhphotovideo.com/bnh/controller/home?O=cart&A=details&Q=&sku=439284&is=REG for $149 but if the Petrol harness will, I'd love to save $50!


don't know about the Petrol, but Portabrace do their own harness:

http://www.portabrace.com/product_detail_B.php?id=3785

ian
 
Sorry Shawn, haven't had the time yet. Will download and watch a couple dramafest entries ASAP. WSF will be top of my list.

Cheers
 
Well, as promised, I finally got a look at WSF and one other entry so far. Nice work all around. There were several shots I was sure I would catch a bit of boom or steadicam reflection but was disappointed.

:beer:
 
Thanks Wabbit! Where Silence Falls won 2nd place in the competition, entirely because of the audio (the story, acting, camera work, etc. were all nice supporting factors I suppose) :-D
 
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