First Movie, looking for thoughts on how to do a shot

Greetings everyone,

First off I wanted to say thanks to all the patient and helpful people on this forum. Having lurked around on this and a couple other forums I'm finally taking the plunge and filming my first 8-minute movie as part of an upcoming 'make a film in 7 days' contest this coming week. Everything's come together pretty well but I'm mostly concerned about a simple, but difficult to stage shot at the climax of the movie.

It's an interior, night shot in a house, looking at a closed door leading outside. The door has an enormous, ragged, bear-sized mouse hole knawed through it, and extending a bit through the wall on either side. A bit of the door remains above the top of the hole, as the top hinge is still in place. You can see thorugh the door that it's night outside. That's it; nothing passes through or in front of the hole, the camera just slowly moves in toward the hole while a narration concludes and the movie fades out.

My original idea (remember, first film) was to do this all for real, repainting an old door, building a frame and fake wall around it with sheap plywood, painting the whole thing, cutting through it to make the big mousehole, setting it up in the open door of a garage and laying carpet and some furniture out in the garage to dress the set as a living room, and voila! Simple but very labor intensive.

It then occured to me that I could do this whole effect much more efficiently by cutting a giant ragged mouse-hole sized matte out of chroma key, taping it to any old door and creating the same effect. A side advantage is I could impose a creepy moon/clouds, etc beyond the door digitally and set up a much creepier mood than I could if it was shot strictly in real life.

So my two questions are:
1. Is there some alternative to these two ideas I'm not thinking of?

2. If I try the digital effect, does anyone know of free (or at least cheap, under $50) software that is robust enough to pull of this chroma key effect that they would recommend and I have a chance in hell of figuring out in 7 days? All I have now is good 'ole Window's Movie Maker and Pinnacle Studio Plus.

Thanks!

Brandon
 
First impression problem with the chroma key method, no depth. You are going to have to paint in digitally the thickness of the door and wall. It's not going to look very real unless you are really god at that kind of thing. Also since the camera is moving the "painting" may have to be a 3D model to work at all.
An option might be, if you know someone who is a good painter is to paint the hole in with a chroma key center, might look better.
Another option is to do it with a model, but that is probably harder and more work that doing it for real.
The best with the Chromaesque might be to find some rationale why there would be a lot of haze in the room and just do a black "hole" with a lot of fog. You said it was going to be dark, you should be able to layer in a shot with the moon on top of the black area, or maybe chroma is the best in this situation, but I think a poorly lit green screen will not work very well.
 
Thanks for the suggestions, the miniature is a good alternative and probably our best bet if we go for the live shot, especially considering we have no experience with matte work.

The less-than-ideal but simple alternative we're going with for now is to change the scene so the door is depicted on a photo. I.e., we see the detectives reaction, assistant snaps a photo, the flash cuts to a photoshopped image of the door. Easy to create and shoot, not as cool, but eh, what can you do? Thanks for your time.
 
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