ElementFilm
Active member
I'm gonna stab my eyes out with colored pencils. I've been doing a color correct for what seems like my entire life on a feature film and here's my problem. Initially I calibrated my 9" JVC Production montitor using the color bars. I completely understand why they refer to 'NTSC' monitors as "Never Twice Same Color." I finished the cc for the film then I did an s-video out of my dv controller to my 13" Toshiba tv on my desk. The film looked waaaaaay too desaturated, like I had pulled all the color out. I made sure the settings on the Toshiba were factory (like any average joe will get out of the box and plug in, which in most of our cases average joe is our target audience and his straight out of the box tv is our target format, so that's what I was going by). So, I did another frame by frame correct and I put some of the color back in this bad boy. Then, I go to my 32 Sony Wega tv and, wha la it's waaaaay too ****ing red. Like the red setting (or ultimately the chroma) was low on my Toshiba or it's high on my Sony. So, I'm at witt's end. What monitor do I trust? The Production Monitor obviously is a professional tool with professional adjustments, but those adjustments are so fickle and can range within the tiniest twist of the knob on the subjective blue bars. I can't afford a da vinci correct so... Throw in your opinions or tell me of some magical place where I can go and see relative definitve color for the majority of people that are going to see this film.
THANKS
THANKS