Inprogress
Well-known member
@nycineaste
I suppose that is a better description to what I mean - sometimes you don't know how to phrase something in order to learn more about it, which then helps one phrase it.
I understand what you are saying and it does make sense, a city can't be a character, but one, I think, can learn a lot about the story or the character from the city or landscape - if you shoot it that way obviously. Let the interaction or the character of the city help expose the character traits of the character, or help create a mood about the story, or stand as a metaphor for some subject matter or idea in the story.
I suppose to put it another way, one can learn a lot about characters from the environment that they interact with and live in.
I watched All the Presidents Men probably 5 times this past weekend. Although a lot to do about lighting, there was still a divide between the bright, no shadow office space as oppose to the darkness of the crannies of the city. The city set a mood and at least to me, in some weird way, became a supporting character (for the lack of a better description), not so much a mood, but a sub-character if you will. Navigating the city, exploring the dark crannies of what it is hiding, and it is hiding the truth which is found as Woodstein talk to the actual characters.
See, I'm trying to get at something but I just can't quite explain it in a way that even really reflects what I'm getting from it. It is also most likely not the intention of the director AT ALL, and I'm reading too much into it. But as it is said, one develops one's own style and approach to cinematography, seeing the city as a "character" if you will, is something I'm exploring, and likely due to not having a full grasp on what my perception of it is yet, not how to describe it.
District 9 for me is not so much what I'm looking for. Yes Wiekus interacts with the slums and city, but what I'm exploring District 9 isn't exactly it. For me it creates a backdrop, but personally not a mood. Maybe it is because I live in South Africa that it doesn't.....not sure. Maybe that is actually just it, just my frame of reference which gives deeper meaning to some city backdrops over others merely cause of my personal surroundings.
The exploration continues...
I suppose that is a better description to what I mean - sometimes you don't know how to phrase something in order to learn more about it, which then helps one phrase it.
I understand what you are saying and it does make sense, a city can't be a character, but one, I think, can learn a lot about the story or the character from the city or landscape - if you shoot it that way obviously. Let the interaction or the character of the city help expose the character traits of the character, or help create a mood about the story, or stand as a metaphor for some subject matter or idea in the story.
I suppose to put it another way, one can learn a lot about characters from the environment that they interact with and live in.
I watched All the Presidents Men probably 5 times this past weekend. Although a lot to do about lighting, there was still a divide between the bright, no shadow office space as oppose to the darkness of the crannies of the city. The city set a mood and at least to me, in some weird way, became a supporting character (for the lack of a better description), not so much a mood, but a sub-character if you will. Navigating the city, exploring the dark crannies of what it is hiding, and it is hiding the truth which is found as Woodstein talk to the actual characters.
See, I'm trying to get at something but I just can't quite explain it in a way that even really reflects what I'm getting from it. It is also most likely not the intention of the director AT ALL, and I'm reading too much into it. But as it is said, one develops one's own style and approach to cinematography, seeing the city as a "character" if you will, is something I'm exploring, and likely due to not having a full grasp on what my perception of it is yet, not how to describe it.
District 9 for me is not so much what I'm looking for. Yes Wiekus interacts with the slums and city, but what I'm exploring District 9 isn't exactly it. For me it creates a backdrop, but personally not a mood. Maybe it is because I live in South Africa that it doesn't.....not sure. Maybe that is actually just it, just my frame of reference which gives deeper meaning to some city backdrops over others merely cause of my personal surroundings.
The exploration continues...