I searched around for this and found a little bit on it, but...
I'm using my DVX-100b to film some old family films shot in super 8 by projecting them on the wall and filming with the DVX just underneath the projector. It seems to work fine using progressive scan (24pa) setting, but despite adjusting focus on both the 8mm projector and the DVX, the footage captured onto the DVX is a lot softer than what I'm seeing out of the projector.
I noticed that as long I was shooting progressive, and not at a much faster shutter such as 1/250 or 1/500, I didn't see any shutter line like occurs in interlaced filming.
I'd been shooting in SHUTTER OFF or 1/50. Has anyone done anything like this? Should I try adjusting the shutter speed down to match the frame rate of 18 fps? I think this is what super 8 shoots and projects at.
I know I can have a conversion service do this but the footage is really not that great to make it worth the cost.
Any ideas on how to get this footage a little crisper? Thanks.
I'm using my DVX-100b to film some old family films shot in super 8 by projecting them on the wall and filming with the DVX just underneath the projector. It seems to work fine using progressive scan (24pa) setting, but despite adjusting focus on both the 8mm projector and the DVX, the footage captured onto the DVX is a lot softer than what I'm seeing out of the projector.
I noticed that as long I was shooting progressive, and not at a much faster shutter such as 1/250 or 1/500, I didn't see any shutter line like occurs in interlaced filming.
I'd been shooting in SHUTTER OFF or 1/50. Has anyone done anything like this? Should I try adjusting the shutter speed down to match the frame rate of 18 fps? I think this is what super 8 shoots and projects at.
I know I can have a conversion service do this but the footage is really not that great to make it worth the cost.
Any ideas on how to get this footage a little crisper? Thanks.