MitchLewis
Well-known member
I wish we lived in a large city were we might have a chance at a side-by-side comparison between production monitors, but we don't. Does anyone have any experience with any of these?
Sony LMD-2450WHD 24-inch (1920x1200)- $3350 (comes with BKM243HS - HD-SDI input box)
Panasonic BT-LH1700 17-inch (1366x768) - $2400 (older model)
Panasonic BT-LH1760 17-inch (1366x768) - $3580 (new model)
JVC DT-V24L1DU (1920x1200) - $3300
I've read good reviews on the new Panasonic BT-LH1760, and I've read a good older review about the JVC, but I've found nothing about the new LMD Sony's. I like the idea of a full raster monitor (1920x1200) for critical editing room use, that's why I'm leaning toward the Sony. But I think I remember seeing on Adam Whilt's site that he thought the blacks looked a little crushed. In addition, I don't "think" the Sony has a built-in waveform/vector scope like the Panasonic does. But I could get by without this feature by using the scopes in Final Cut Pro.
We narrowed our choices down to these 4 monitors because we decided that we would like to get a good quality "reference" monitor for the edit rooms, as opposed to using a 24-inch Cinema display with a Matrox MXO or even a consumer LCD monitor from Costco.
SIDE NOTE: The only thing that doesn't add up is the manufactures choice for using LCD instead of Plasma. We own a beautiful Pioneer KURO Elite 50-inch plasma as our main tv in our home and it's just GORGEOUS! If Pioneer made a smaller version I'd be tempted to go that route (although there would be no HD-SDI input)
BTW, we're going to be using a MOTU V4HD to send a HD-SDI signal to the edit room monitor.
Thanks for any advice!
Sony LMD-2450WHD 24-inch (1920x1200)- $3350 (comes with BKM243HS - HD-SDI input box)
Panasonic BT-LH1700 17-inch (1366x768) - $2400 (older model)
Panasonic BT-LH1760 17-inch (1366x768) - $3580 (new model)
JVC DT-V24L1DU (1920x1200) - $3300
I've read good reviews on the new Panasonic BT-LH1760, and I've read a good older review about the JVC, but I've found nothing about the new LMD Sony's. I like the idea of a full raster monitor (1920x1200) for critical editing room use, that's why I'm leaning toward the Sony. But I think I remember seeing on Adam Whilt's site that he thought the blacks looked a little crushed. In addition, I don't "think" the Sony has a built-in waveform/vector scope like the Panasonic does. But I could get by without this feature by using the scopes in Final Cut Pro.
We narrowed our choices down to these 4 monitors because we decided that we would like to get a good quality "reference" monitor for the edit rooms, as opposed to using a 24-inch Cinema display with a Matrox MXO or even a consumer LCD monitor from Costco.
SIDE NOTE: The only thing that doesn't add up is the manufactures choice for using LCD instead of Plasma. We own a beautiful Pioneer KURO Elite 50-inch plasma as our main tv in our home and it's just GORGEOUS! If Pioneer made a smaller version I'd be tempted to go that route (although there would be no HD-SDI input)
BTW, we're going to be using a MOTU V4HD to send a HD-SDI signal to the edit room monitor.
Thanks for any advice!