So what is everyone's take on this over the use of the anamorphic as far as for a film out. I have been driving myself nuts lately as to part with the ana or not. BTW I may have a brand new ana plus the guide for it for sell soon.
Not if you use a custom anamorphic adapter with your mini35
You really don't loose any practical res (try shooting a res chart and see what I mean). The main problem is the softening of the footage and lack of contrast that can ensue.
Hey guys, sorry for the delay. I guess the 'notification' emails stop after a period of time. I've really been busy finishing the crane (~20ft). I've recently finished the pan/tilt using gears. Work great. I've got all the metal (Aluminium), I just need to finish putting it together. The wheels are (10'' PNEUMATIC SWIVEL CASTERS).
And on to the adapter. I'll make the spinners that match mine for $500 if anyone is interested. The image won't be flipped right-side-up and it won't come with a macro. So basically it will come in a box with a switch that spins the cd. If you want to send me a lens cap, I'll make you a mount out of it. To be quite honest the $500 is pretty much a labor expense...
Now, I'm making good progress on developing a more 'production' type device with a real mount, but it just takes time. I'm almost finished with my cnc/mill conversion, so having that machine ready to go will allow me to make more precise parts and a much nicer encloser. This version will come with a rod system as well. I'm also evaluating the prism path. It's looking very good. So you won't have to flip the image in post... I expect to sell this version for less than $1000.
One thing that's causing me time is finding a Achromat/Doublet that works well with the DVX so I can post some great footage. That stupid thing alone is holding me back!! (hint-hint Bill_Turner! Help a brother out!) Because any footage posted will be from a crappy 55mm Hoya doublet that has side distortion and chromatic aberration and I believe people will get that confused with the adapter's output quality.
So.. I've been focusing on battles I can win. Like a motorized pan/tilt.
Oh, by the way, I'd love to build a follow focus setup and probably will soon. (Now that I got the whole gear thing going..)
To be honest, I tried it without the adapter and then with the adapter and the fstops stayed the same. I did notice a change with different types of 35mm lenses though.
I plan on posting a more technical evaluation later... But light loss doesn't seem to be a problem.
Hm, interesting. Some light loss must occur at the ground glass (CD in this case). I wonder where your system is making it up. Very interesting! I'd be surprised if you were getting less than a full stops loss of light at that point. Anyone actually measure how much light you loose from a CD?
Hey guys,
Well, I've finally resolved my abberation problems with my macro. I ended up making my own. I bought enough parts to make many more as well. So overcoming this milestone allowed me to move on to completing the production grade micro35. I'll be releasing a guide on how to do it yourself. I'll also be selling the parts online for you guys that live in the sticks. And all you guys with two left hands, I'll assemble them for you as well. I promised myself I wouldn't post anymore "test looking" shots. So I'm finishing up some mock scenes to post using the adapter. I'm very happy with it and its size (3"x4") and the new rail setup.
For all you guys that emailed me and anyone interested, please check out www.micro35.com and get on the list! I'll have the new scenes up soon!
That is the FATTEST horse I have ever seen. Please tell me it's a pregnant mare or something like that...
And this footage looks really good! Can you post like 10 or 20 seconds as a raw DV .avi, so we can download it and play it back to our TV's/monitors to judge the effect of the perma-grain? .wmv and all other web compression algorithms mask grain like that, so it'd be nice to see it in its native state.
I've watched it on my hi-res smpte-c monitor and don't notice any grain. I do see a very slight flicker because I forgot I was using my first rev gg (dogh!)... I'm going to be shooting a music video with it in the next few weeks, so I'll be excited to get it into a real production...
liked the footage but I saw a weird jerkiness during the pan, was that due to an unstable pan or did it have something to do with the adapter. and did you use a star filter on there? the reflections of the pond were really beatiful.