Diamonds (or zirconium) in the closet

ggrantly

Veteran
My brother is a live performance and session jazz musician. He records a few artists as well his own group. He is in his sixties and has a lot of accumulated stuff and like many of us, his mic locker never gets smaller, ever. But he has been generous with me with some gear he doesn't use anymore. So for a while I have been looking at large condensers, mostly for a VO mic or maybe some music video applications. I've tried quite a few for VO (Heil, EV, and others) and never been very pleased with any of them. So out of the blue he says, I've got this set of large condensers, why don't you just take them. Really?

Ok so they aren't high end mics or anything, they are older model CAD M-37. I plugged one into a good preamp and recorded a couple of spoken word clips to a cpu. Playback was instantly rewarding. It had that nice 60s FM radio sound which I've been looking for. I suspect a high end large condenser would sound better yet, but dang, this cheap older model mic is a sleeper.

I learned one thing from this and that is to let your ears do the deciding instead of thinking the higher price mic will always serve you better. Read that last sentence carefully, usually high end gear is better, but what you really need might be different.

Clean out your closets and clean your ears.
Grant
 
So out of the blue he says, I've got this set of large condensers, why don't you just take them. Really?

Please introduce me to your brother. My closet is empty. :)

But seriously, it can be pretty surprising what some mics can do. Back in college I was recording my friends band at the studio, and the kick drum just didn't sound right no matter which mic I put on it. Finally, in an act of desperation, I put a 57 on the thing, and it sounded great! I would have never expected that.
 
A SM57 will usually sound decent on practically anything that has some SPL to it. Amazing for a $100 mic that was originally released in 1965 (or there abouts). Probably most rock/pop songs recorded since then have at least one on it.. the go-to mic for snare and/or guitar amps for thousands of recording and FOH engineers.
I wouldn't think it would work so well for boomed dialog though.
 
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