Randall_Oelerich
Veteran
I will be filming a short film this summer, recording lots of dialog of several actors on a small pedestrian wooden bridge over a river (about 20 feet wide), and also in the river and along the river banks. Well, right now the river is raging, noisy, spring thaw (northern Minnesota). It will quiet down some by summer, quite a bit actually. But my question is-- what tricks can I do to capture clean dialog, as clean as possible?
I do have a Zeppelin blimp wind cover for my mic, well actually I have to build that in the next few weeks from parts I bought to make one. It will go over my Rode NTG-2 shotgun condenser microphone. I have a long carbon fiber boom pole. I know to get the mic as close as possible to the actors mouths, but there are limits of course, and then there is the noise of the river. What else can I do?
Should I take the actors out to a quiet section of woods away from the river, record the scenes/lines for later dubbing, along with foley sounds of recorded river noise? Should I use software to try and subtract the river noise from the audio waveforms? Should I just embrace the sound of the river as part of the film and take the river noise along with the dialog, just get the mic as close as possible to the actors? Should I use wireless lavaliers? How do the audio professionals get clean audio for scenes of actors along raging rivers?
~randall
I do have a Zeppelin blimp wind cover for my mic, well actually I have to build that in the next few weeks from parts I bought to make one. It will go over my Rode NTG-2 shotgun condenser microphone. I have a long carbon fiber boom pole. I know to get the mic as close as possible to the actors mouths, but there are limits of course, and then there is the noise of the river. What else can I do?
Should I take the actors out to a quiet section of woods away from the river, record the scenes/lines for later dubbing, along with foley sounds of recorded river noise? Should I use software to try and subtract the river noise from the audio waveforms? Should I just embrace the sound of the river as part of the film and take the river noise along with the dialog, just get the mic as close as possible to the actors? Should I use wireless lavaliers? How do the audio professionals get clean audio for scenes of actors along raging rivers?
~randall