What's the best way to do this? Shot most scenes 24pA (this is intended for film), with some 60i for backup and slo-mo. Prefer cutting at 24. But when the final multi-cam shoot was done, I directed, w/o running cams. They shot it in 24pN instead of 24pA.
I've always known I had to convert the backup 60 (probably with Nattress) to 24, but now what? The best way to deliver for film is back to tape, but with 24pN and 24pA, I've got 2 different types of pulldown. Should I convert the 24pN to 24pA? Those 24pN tapes are multi-cams - will I run into problems there? Thanks for any help.:undecided
I've always known I had to convert the backup 60 (probably with Nattress) to 24, but now what? The best way to deliver for film is back to tape, but with 24pN and 24pA, I've got 2 different types of pulldown. Should I convert the 24pN to 24pA? Those 24pN tapes are multi-cams - will I run into problems there? Thanks for any help.:undecided
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