I worked with the 702T over the weekend for the first time recording sound FX in the field, and for all intents and purposes, I'm an audio newbie.
I noticed the limiter was on, and figured out what it did, but didn't realize I could change the peak ceiling (or threshold). I was thinking of taking it off, but was moving pretty run and gun, so rather than overlook a bunch of peaks and ruin some takes, I kept it on. It was reaching -12db on peaks and sometimes around -6db on louder sounds, so I figured I was getting good levels.
So now, I'm just sort of curious about limiters, using the 702T as an example. As I sit here looking at my peaks, I see s lot of them hit -6db so I imagine the limiter was set to this? How much compression is there on a 702? Does it only start to compress when something REACHES a certain db level, or does a limiter simply stay on and effect the entire dynamic range through and through?
Sorry if this is a common topic- I'd like to learn about limiters now so I can use them the best way possible next time- any good article links would be appreciated.
Thanks
I noticed the limiter was on, and figured out what it did, but didn't realize I could change the peak ceiling (or threshold). I was thinking of taking it off, but was moving pretty run and gun, so rather than overlook a bunch of peaks and ruin some takes, I kept it on. It was reaching -12db on peaks and sometimes around -6db on louder sounds, so I figured I was getting good levels.
So now, I'm just sort of curious about limiters, using the 702T as an example. As I sit here looking at my peaks, I see s lot of them hit -6db so I imagine the limiter was set to this? How much compression is there on a 702? Does it only start to compress when something REACHES a certain db level, or does a limiter simply stay on and effect the entire dynamic range through and through?
Sorry if this is a common topic- I'd like to learn about limiters now so I can use them the best way possible next time- any good article links would be appreciated.
Thanks