CS6 Workflow for a 5D Mark III

T

TyGuy

Member
I've tried to find this information on DVXUser, and I will admit, I gave up after about 20 minutes, but I would love to know what is a good worlflow for CS6. Been on FCP7 for a long time, which consisted of me converting all my H.264 footage to ProRes 422 using a variety of different encoders over the years. But from what I can gather, I don't see people doing this as much now that CS6 supports H.264 natively.

Does anyone have any advice if you plan to grade your footage, or do some comp work? I am use to using Neat Noise, Magic Bullet, DaVinci etc. Big on using After FX. Is recompression still suggested here?

Thanks!

T.
 
Premiere Pro converts all footage to 32 bit colour space as it decodes it in real time, so there is no benefit to transcoding to ProRes 422 prior to editing, as long as your machine can handle the native playback. So, there is no real benefit to transcoding in terms of colour space.

We also use Neat Video and (Magic Bullet) Colorista II within Premiere Pro and they work just fine.
 
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