martinvandiest
New member
Does anybody have experience using the "industry standard" PCC 160 stage floor microphone for a live theatre application.
http://www.crownaudio.com/pdf/mics/101062.pdf
They rent them at VER (LA,) so someone is using them, but to what success?
We are doing an amateur performance of Julius Ceasar as part of a conference and I would like to capture the best sound possible with limited manpower I have at my disposal. The room I have has 18' ceilings, and rigging hanging mics doesn't excite me in the least. I have thought about wireless lavs but someone had told me I might run into phasing problems. (?)
So these floor mics seem ideal, in theory.
But if the consensus is that they aren't up to the task, any solution that doesn't require 2 boom operators will be greatly appreciated.
Thank In Advance
http://www.crownaudio.com/pdf/mics/101062.pdf
They rent them at VER (LA,) so someone is using them, but to what success?
We are doing an amateur performance of Julius Ceasar as part of a conference and I would like to capture the best sound possible with limited manpower I have at my disposal. The room I have has 18' ceilings, and rigging hanging mics doesn't excite me in the least. I have thought about wireless lavs but someone had told me I might run into phasing problems. (?)
So these floor mics seem ideal, in theory.
But if the consensus is that they aren't up to the task, any solution that doesn't require 2 boom operators will be greatly appreciated.
Thank In Advance