rook
Veteran
Didn't care for the movie but the article is worth a skim. Interesting stuff.
"FilmLight built software to take a raw file from a digital camera and output a Cineon file with the look of 5248 film stock. Production software incorporated dcRAW and Truelight’s proprietary color transforms. The software took care of resizing and annotation by generating code that directed Apple Shake to produce QuickTime files for editorial and 2K DPX sequences to match the color profile of 5248 film scans. Although the Canon would shoot 4k, the images were wrangled at 2k (2048 x 1365) because that would be the final output with the Arri Laser."
http://www.editorsguild.com/newsletter/JulAug05/julaug05_bride.html
-rook
"FilmLight built software to take a raw file from a digital camera and output a Cineon file with the look of 5248 film stock. Production software incorporated dcRAW and Truelight’s proprietary color transforms. The software took care of resizing and annotation by generating code that directed Apple Shake to produce QuickTime files for editorial and 2K DPX sequences to match the color profile of 5248 film scans. Although the Canon would shoot 4k, the images were wrangled at 2k (2048 x 1365) because that would be the final output with the Arri Laser."
http://www.editorsguild.com/newsletter/JulAug05/julaug05_bride.html
-rook