lonewolf2koc@hotmail.com
Well-known member
http://entertainment.msn.com/news/article.aspx?news=812928
http://www.studiodaily.com/2013/06/espn-pulls-the-plug-on-3d-channel/
OK. 3D is not so hot now. But what about 4K? My speculations:
Going to take efforts of biblical proportion to get the mass consumer paying $5K for a 4K 55" display.
For certain I'm not going to be paying $25K for their 84" UHD.
After looking closely at the floor demo on Sony 4K 55", I only see small-moderate resolution advantage when
viewing about a foot away from the display. As soon as I move back to 10-15 ft, extremely hard to discern
from 1080p source. I'd say the display would have to be at least 80-120" to take advantage of 4K.
Similarly, I use the Mac Book Pro 15" with Retina display. Virtually identical to the non-retina display on 15"-17".
Only if you pay close attention to the small text or need full 100% 1080p display on FCPX, there's an advantage. Otherwise it's
literally not much difference in perceived resolution.
http://www.studiodaily.com/2013/06/six-hollywood-studios-now-have-agreements-with-kodak/
Traditional film is still the preferred format for most major studios. Apparently they don't
think 4K is good enough. Probably when 8K is out, they may reconsider.
Realistically, producing a long-form doc in the AVC-I 100 codec is already cutting a lot of
profits for data archiving all of the raw P2 media. LTO-6 drive and media, double hdds interims storage,
RAID 50, and so forth. One can buy a new HPX-250 or PMW-200 with 4K data archive every month. These
things add up quickly.
Very hard to predict the final outcome of this 4K craze. I hope someday 4K will be as cheap as 1080p video.
In the meantime, I'll let early adopters accrue huge equipment debt w/ little return on investment for 4K gear
for the next 5 years or so. I'll definitely will focus on the script and content itself. 4K=huge debt hole.
http://www.studiodaily.com/2013/06/espn-pulls-the-plug-on-3d-channel/
OK. 3D is not so hot now. But what about 4K? My speculations:
Going to take efforts of biblical proportion to get the mass consumer paying $5K for a 4K 55" display.
For certain I'm not going to be paying $25K for their 84" UHD.
After looking closely at the floor demo on Sony 4K 55", I only see small-moderate resolution advantage when
viewing about a foot away from the display. As soon as I move back to 10-15 ft, extremely hard to discern
from 1080p source. I'd say the display would have to be at least 80-120" to take advantage of 4K.
Similarly, I use the Mac Book Pro 15" with Retina display. Virtually identical to the non-retina display on 15"-17".
Only if you pay close attention to the small text or need full 100% 1080p display on FCPX, there's an advantage. Otherwise it's
literally not much difference in perceived resolution.
http://www.studiodaily.com/2013/06/six-hollywood-studios-now-have-agreements-with-kodak/
Traditional film is still the preferred format for most major studios. Apparently they don't
think 4K is good enough. Probably when 8K is out, they may reconsider.
Realistically, producing a long-form doc in the AVC-I 100 codec is already cutting a lot of
profits for data archiving all of the raw P2 media. LTO-6 drive and media, double hdds interims storage,
RAID 50, and so forth. One can buy a new HPX-250 or PMW-200 with 4K data archive every month. These
things add up quickly.
Very hard to predict the final outcome of this 4K craze. I hope someday 4K will be as cheap as 1080p video.
In the meantime, I'll let early adopters accrue huge equipment debt w/ little return on investment for 4K gear
for the next 5 years or so. I'll definitely will focus on the script and content itself. 4K=huge debt hole.
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