I can't find a lens-specific thread, but this seems like a reasonable starting place. If it's the wrong place, I'm sure an administrator will move it to the right location.
I have an Iscorama 54 that I bought to experiment and begin to learn about anamorphic cinematography. In the day, I shot a handful of rolls of super 8 on a Nikon and a small amount of 16mm. I went on to a career in features including many anamorphic using the Panavision lenses of the various series.
The Isco has been idle for decades. It's last event was to send it off to Germany for an optical check-out which was nominal. It is the type with the rotating anamorphic element, and the barrel is marked in only meters. I've considered marrying it with a modern consumer HD camcorder just for fun, but it's really more business than I want to undertake. It is in mint condition.
Do any of you think there is any interest in this lens these days for use on DSLRS or cameras such as the Panny 100?
By the way, the Nikon super 8 is also idle and might as well serve someone.
Cheers
I have an Iscorama 54 that I bought to experiment and begin to learn about anamorphic cinematography. In the day, I shot a handful of rolls of super 8 on a Nikon and a small amount of 16mm. I went on to a career in features including many anamorphic using the Panavision lenses of the various series.
The Isco has been idle for decades. It's last event was to send it off to Germany for an optical check-out which was nominal. It is the type with the rotating anamorphic element, and the barrel is marked in only meters. I've considered marrying it with a modern consumer HD camcorder just for fun, but it's really more business than I want to undertake. It is in mint condition.
Do any of you think there is any interest in this lens these days for use on DSLRS or cameras such as the Panny 100?
By the way, the Nikon super 8 is also idle and might as well serve someone.
Cheers