I need some help.
I'm looking for a concise answer to this question. I did search but I couldn't find a strait answer to my question.
I am editing a live performance all my DVX's were set to 24PA.
There was a shooter who brought a Sony for B roll and that shot 29.97 interlaced footage.
What's the best way to combine the footage for the smoothest most non interlaced look.
I'm using FCP - 23.98 timeline.
I've tried using compressor to convert the footage to 23.98 and it does work but it slows it down a but and on some shot's that won't work. Is there a way to do that without it going to slo mo?
Methods/plug in's whatever it takes... thanks
Kip Kubin
I'm looking for a concise answer to this question. I did search but I couldn't find a strait answer to my question.
I am editing a live performance all my DVX's were set to 24PA.
There was a shooter who brought a Sony for B roll and that shot 29.97 interlaced footage.
What's the best way to combine the footage for the smoothest most non interlaced look.
I'm using FCP - 23.98 timeline.
I've tried using compressor to convert the footage to 23.98 and it does work but it slows it down a but and on some shot's that won't work. Is there a way to do that without it going to slo mo?
Methods/plug in's whatever it takes... thanks
Kip Kubin