WhiteWood
Carbonite Member
I'm currently working on a commercial for Heinz Ketchup. I'm trying to do the cool effect where everything's in black and white except for the ketchup, which is red. lt SHOULD be singled out, Sin City style, like this:
http://www.youtube.com/watch?v=49JQATCNWY4
The only thing is, everytime I try to do it, I find myself with only two options. both with terrible results...
OPTION ONE:
Adobe Premiere's Color Pass. I try to single out Red, but WHO KNEW that there's red in EVERYTHING in the ROOM! Including the actors skin. It's IMPOSSIBLE for me to get 25% of the Ketchup before it starts picking up on skin tones. Looking like this:
OPTION TWO:
Believe it or not, in an act of desperation, I actually expoted ALL the frames, imported them into photoshop, and MANUALLY, sucked the color out of EACH frame, then imported them BACK into Premiere, shrunk each PNG to 1 frame in length, & ordered them. But due to the fact that some things in the video tend to move fast and create interlace blurs, I had no idea where to ... OMG, It's such a stupid story! The crap ended up looking sorta like this, jumpy and choppy as hell:
What should I do for a nice, sharp, fluid, intended selective color Pass in Premiere Pro (Or After Effects, which I have NO IDEA how to use, but would learn if it could pull this effect off)
http://www.youtube.com/watch?v=49JQATCNWY4
The only thing is, everytime I try to do it, I find myself with only two options. both with terrible results...
OPTION ONE:
Adobe Premiere's Color Pass. I try to single out Red, but WHO KNEW that there's red in EVERYTHING in the ROOM! Including the actors skin. It's IMPOSSIBLE for me to get 25% of the Ketchup before it starts picking up on skin tones. Looking like this:
OPTION TWO:
Believe it or not, in an act of desperation, I actually expoted ALL the frames, imported them into photoshop, and MANUALLY, sucked the color out of EACH frame, then imported them BACK into Premiere, shrunk each PNG to 1 frame in length, & ordered them. But due to the fact that some things in the video tend to move fast and create interlace blurs, I had no idea where to ... OMG, It's such a stupid story! The crap ended up looking sorta like this, jumpy and choppy as hell:
What should I do for a nice, sharp, fluid, intended selective color Pass in Premiere Pro (Or After Effects, which I have NO IDEA how to use, but would learn if it could pull this effect off)
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