petrspetla
Active member
Hello guys, i got discount code for workshop with Roy H. Wagner, ASC, but i can´t participate. Maybe you will use it.
Discount code: cam91
Info about workshop (https://www.facebook.com/events/1680714235523161/)
"No selecting of chosen ones! You pay, you go! One time opportunity! The capacity is limited.
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Roy photographed shows like Ray Donovan, House MD, CSI, and movies like Nightmare on Elm Street 3, Nick of time, Drop Zone, Burn notice, etc.
-
more at http://zacharypictures.com/
tickets: http://www.zacharypictures.com/#!ticket/b86o7
must watch interview with Roy: https://youtu.be/eJdzwYETSVU
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You’ve graduated from the finest filmmaking school in the world.
You know where to put the light.
What are the best storytelling tools?
How important editing and the correct music are as tools.
You made your masterpiece.
You’re done!
. . . NOW WHAT?
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During this 2-day workshop, you will understand how to:
How to light a close up
(possibly the most important lesson you will ever have to know).
Proper exposure
Lighting a scene with just one light
Filtration, is it necessary?
If so, how to choose the correct glass for each shot.
Car driving interior on a stage day and night
What is the right camera – a shoot out against the ARRI ALEXA, RED EPIC, SONY F55, SONY F5, BLACKMAGIC URSA, Apple iPhone, Samsung S7
When to say NO to the director or producer
What do filmmakers look for in a cinematographer?
What’s the best camera, where do you put the light, how to interpret the script, communicate to the crew and your partners (director, actors, production designer, editor, production manager).
How to develop the tools necessary to survive and grow
Lighting unit shoot out LED vs HMI vs TUNGSTEN vs FLORESCENT.
Where do we go from here? 8K, 6K, 4K, 2K
What is the most important value that designers should consider in developing new cameras?
Do you have anything in mind you would like Roy to demonstrate for you during our workshop? Let us know!"
Discount code: cam91
Info about workshop (https://www.facebook.com/events/1680714235523161/)
"No selecting of chosen ones! You pay, you go! One time opportunity! The capacity is limited.
----------------------------------------------------------------------------
Roy photographed shows like Ray Donovan, House MD, CSI, and movies like Nightmare on Elm Street 3, Nick of time, Drop Zone, Burn notice, etc.
-
more at http://zacharypictures.com/
tickets: http://www.zacharypictures.com/#!ticket/b86o7
must watch interview with Roy: https://youtu.be/eJdzwYETSVU
----------------------------------------------------------------------------
You’ve graduated from the finest filmmaking school in the world.
You know where to put the light.
What are the best storytelling tools?
How important editing and the correct music are as tools.
You made your masterpiece.
You’re done!
. . . NOW WHAT?
-----------------------------------------------------------------------------
During this 2-day workshop, you will understand how to:
How to light a close up
(possibly the most important lesson you will ever have to know).
Proper exposure
Lighting a scene with just one light
Filtration, is it necessary?
If so, how to choose the correct glass for each shot.
Car driving interior on a stage day and night
What is the right camera – a shoot out against the ARRI ALEXA, RED EPIC, SONY F55, SONY F5, BLACKMAGIC URSA, Apple iPhone, Samsung S7
When to say NO to the director or producer
What do filmmakers look for in a cinematographer?
What’s the best camera, where do you put the light, how to interpret the script, communicate to the crew and your partners (director, actors, production designer, editor, production manager).
How to develop the tools necessary to survive and grow
Lighting unit shoot out LED vs HMI vs TUNGSTEN vs FLORESCENT.
Where do we go from here? 8K, 6K, 4K, 2K
What is the most important value that designers should consider in developing new cameras?
Do you have anything in mind you would like Roy to demonstrate for you during our workshop? Let us know!"