Going to shoot a project soon that will eventually be distributed in both NTSC and PAL/SECAM markets. I've done this many times before but want to see how others would approach it to see if my thinking is right.
The primary market is the US - so 29.97fps, however distribution in 25fps markets will also be significant. In the past we have always shot for the primary market (29.97) and conformed to PAL for international distribution. But what if I shot in 24p and distributed at 24p in all markets? Are there any potential issues with that approach? The only issue I can think of is authoring to DVD, because technically SD is really the only "format" that's locked in to NTSC/PAL standards. Does DVD support native 24p, or will it have to be conformed to 60i/50i standards when authored?
Also, if I shot 24p what considerations would there be if the project happened to be picked up for TV broadcast in the US or international markets?
That's a lot of questions I know, thanks in advance for your opinions!
The primary market is the US - so 29.97fps, however distribution in 25fps markets will also be significant. In the past we have always shot for the primary market (29.97) and conformed to PAL for international distribution. But what if I shot in 24p and distributed at 24p in all markets? Are there any potential issues with that approach? The only issue I can think of is authoring to DVD, because technically SD is really the only "format" that's locked in to NTSC/PAL standards. Does DVD support native 24p, or will it have to be conformed to 60i/50i standards when authored?
Also, if I shot 24p what considerations would there be if the project happened to be picked up for TV broadcast in the US or international markets?
That's a lot of questions I know, thanks in advance for your opinions!