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Your camera moves should be motivated. There's a reason you slowly dolly in, rack focus, follow with a steady cam. You don't do it just because it looks cool. You're trying to focus the audience's attention to better tell your story.
Shaky cam can be used effectively to create tension. You should use it sparingly. But if you use it for no reason at all then it really distracts from the scene and you're constantly thinking, HEY! Get a Tripod for Christ's Sake! Is the camera man on crack?
CharlesPapert;.....we use spring mounted or deflated volleyball heads to simulate the look of handheld without the roughness of the lateral moves. [/QUOTE said:Charles,
Can you explain more about "spring mounted or deflated volleyball heads"? Sound interesting, but I'm not familiar with either.
thanks,
Dave
Nearly all cameras that would fit the OmniRig have rolling shutter, though dSLRs are generally worse than video cameras in that regard, so the videos -- with or without warp stabilization -- are fair demonstrations of the OmniRig's capability. As with any new device, there will be more-skilled operators after it's been in general use for a while.They shot the demo for this device with a DSLR. Warp stabilization plus rolling shutter always lookls crappy. I wonder how the demo would have looked like if they had stabilized in post footage of a camera with a global shutter.
Charles,
Can you explain more about "spring mounted or deflated volleyball heads"? Sound interesting, but I'm not familiar with either.
thanks,
Dave
