Here is the situation tomorrow night, hotel ballroom:
- 2 speakers one after one other, 10 + 30 minutes
- 35 minute play with back video projection, 2 actors
- 2 cameras, one with intelligent but slightly unexperienced operator (B cam, stationary on tripod), cam A can move
- SD722, Fostex FR-2, SD302
- 2 short shotguns, 2 MS stereo mics, 2 Octavas any capsule, 2 DPA 4060
- 2 stereo outs from soundboard
My plan so far:
- patch from soundboard to SD722 to get continuous audio (longer than 63 min tape), 24/48 to be safe
- shotgun pointing at audience for audience reactions, to camera A
- Stereo feed from stereo mic (Pearl MSH10) to cam B for backup and ambience
Any ideas for improvement?
- 2 speakers one after one other, 10 + 30 minutes
- 35 minute play with back video projection, 2 actors
- 2 cameras, one with intelligent but slightly unexperienced operator (B cam, stationary on tripod), cam A can move
- SD722, Fostex FR-2, SD302
- 2 short shotguns, 2 MS stereo mics, 2 Octavas any capsule, 2 DPA 4060
- 2 stereo outs from soundboard
My plan so far:
- patch from soundboard to SD722 to get continuous audio (longer than 63 min tape), 24/48 to be safe
- shotgun pointing at audience for audience reactions, to camera A
- Stereo feed from stereo mic (Pearl MSH10) to cam B for backup and ambience
Any ideas for improvement?