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The 'T' number on PL mount lenses refers to the aperture, correct? If so, why a 'T' and not an 'F' like all other lenses?
Ahh ok. So a 210mm lens at 2.8 vs. a 30mm at 2.8 will look identical when it comes to the light used in the scene?
I think f-stop says how much your aperture is physically open or closed, and t stop says how much light is transmitted. t=transmission. this could vary between lens and lens so i think because of the demanding precision of cine glass they use t. truer indication of how much light as opposed to how wide the aperture is open... hope i'm not wrong.
At T 2.8 yes, but at F 2.8 there might be a difference. For example a 2.8 zoom usually has a T-stop of 3, meaning it looses quite a bit of the glass.
A F/2.8 lens will not let as much light through as a T/2.8 lens. How much entirely depends on the specific F-stop lens being evaluated.
Some lenses are worse than others... some modern and nice photography lenses say F/2.8 and they are just a T/3 in reality. However older lenses, or zoom lenses without good coating can be much less efficient.
I suppose to compensate for light loss from light bouncing off elements, and the number of elements, a T-stop lens would have to mark the aperture accordingly, where as the F-stop lens is a formula that does not account for the lost light.
Therefore, I would assume that a T-stop lens at a T/2.8 would have a fractionally more open iris blade assembly versus a F/stop lens at F/2.8...
I don't know for certain, but thinking about it logically, that is my conclusion. Good point you make.
But also remember that I've found most differences are around a third or quarter of a stop... if that. Sometimes more... I think the most I've seen was a difference of half a stop, but that was a really really old lens...
Point being, I really doubt if you can tell the depth of field difference between a 2.8 and a 2.8 3/10ths. However, I suppose it is true. I suppose that is why T-stop lenses are so important. If striving for the highest level of consistency in an image, using different F-stop lenses could produce different exposures, albeit very slight in nature. I would assume this amount of variation can be almost nothing to very different depending on what lenses you are pairing together.
I've never thought of that before. Really cool point you made.