Mister Stocks
Well-known member
Maybe I'm just not normal in my way of thinking but I would MUCH rather own a cheaper camera and learn everything there is to know about it, all of it's tricks and idiosyncrasies, and take my time and practice everything rather than rent a camera and it's operator (whom you may or may not get along with) and then hurry up and try to get a bunch of shots in your budgeted rental time even without knowing how the camera reacts or how the operator sees your shots.
And yes, I've done this.
I wasted time and money trying to get the camera and operator/owner seeing my vision and then we didn't even jive. Shots were poor for one reason or another and had to be redone, etc.
Of course, all the dudes who rent their cameras out will say "renting is best!!".![]()
It might be if you are familiar with a certain camera and lenses and you know your operator so well that you can just rent and go to work and get it done in the time allotted, but that's rarely the case in the real world, especially for a first shoot. However, you might have to bite the bullet and do it once and waste the time and money just to get acquainted with someone and their camera and plan to use them again(granted they work out for you).
Personally though, for a small budget shoot I would take a slightly "lesser" camera and know what I'm getting in the end than hire a good camera and have an unsure result.
Which brings us to needing more information about the OP's needs. When money is on the line I would want to rent/hire, knowing the results I will get instead of charging blindly into it trusting my own skills when I am unsure of which camera to even shoot on.
If $3000 is the entire budget for the entire film I would get a t2i or even a used DVX and hire a sound guy. I have never met an audio guy I didn't immediately like as long as their work is decent. As long as the shot is exposed properly and the sound is good you can surprisingly get away with a lot IQ wise. But if more money than that is on the line I would hire an owner operator, an experienced man on set is invaluable, and get them involved in the pre production if you can. And for low budget I would argue deadlines are crucial, otherwise you will spend so much more money on extended shoots than you would. And remember the six P's (piss poor planning makes for a piss poor production).
Hell, I just returned home from a poorly planned production (with a budget!) and spent two months working on the thing when it was supposed to be two and a half weeks.