camera directing question

[Gord.T]

When is it appropriate, in your opinion, to frame an actor in the center of the screen? I'm speaking of long or mid shots, not C.U's.

I've noticed sometimes it's ok if they are surrounded by people on either side.
And/or if they appear to be the center of attention given what the moment is saying.

Other times I've seen two characters in a scene. The first being centered, walks off frame, let's say off to the left frame while passing by the camera.
The camera then pans a bit to the right to bring the second character into the right side of the frame, leaving the open area on the left open where the former actor walked out.
I'm a bit bit fuzzy on that technique. I presume it suggests a loss felt by the second character.

Any thoughts on camera direction as to center framing a subject in regards to films or story?

-Thanks.

 

[Ryan Patrick O'Hara]

Depends on what you are trying to say with visual subtext. Putting someone anywhere in the frame will have direct implications on the meaning and mood. It also depends on context of story and the other elements in the scene.

Generally speaking, centering a character puts them metaphorically at the center of attention. Caught in the middle. Off to the side with the 2/3rds rule can ease a composition, as the rule of 2.3rds is a common and repeating pattern in nature and visual arts. Putting a character on the very edge of a frame can cause anxiety, uncertainty or tension.

Although in different contexts these could all be the opposite.

 

[SonicStates]

I guess I would also consider it when the next shot benefits from your eyes being centered on the actor. Just a thought.
Sam.

 

[dougspice]

It is appropriate if you are Wes Anderson. Or if you want to highlight your character. Or if you want to isolate her. Or ... or ... or...

All of this stuff is contextual. All of it is rules made to be broken. I find it is less instructive to talk about single shots and better to discuss entire scenes and sequences.

 

[j1clark@ucsd.edu]

I guess I would also consider it when the next shot benefits from your eyes being centered on the actor. Just a thought.
Sam.

Sure, if one is trying for some sort of 'match cut'... the problem with placing things to allow for a 'match cut'... often means that the shot setup is totally unmotivated...

If the scenes leading up to the centrally placed actor are some sort of decision process.. the 'central' framing means, a decision needs to be made now... or else... (along with a number of other meanings...)... it is not 'gee what a niffty segue into the next shot...

 

[Paul Hudson]

When is it appropriate, in your opinion, to frame an actor in the center of the screen? I'm speaking of long or mid shots, not C.U's.

That is like asking what is a good color for a painting or the tempo of music. It is an artistic decision. One made in context to the story, the scene and the setting.