Macphilia
Well-known member
So, I interviewed a composer today for the score of my current film project, Girlfriend 19. I had him compose music on-the-fly. It was an eye-opening moment, to say the least.
The scene I picked is quite dramatic, involving my main character and her boyfriend. The composer first tried an acoustic guitar, then switched gears to synth pads and piano. The difference between the two blew me away! With the guitar, the scene was sweet and melancholy, with the pads and piano, it was eerie and slightly neurotic. Wow! The same scene, same performance, but two totally different experiences.
Okay, duh! right? Well, until you sit there and watch your film be totally manipulated by music in front of you, it doesn’t quite hit you. It was rather disconcerting that I can work my ass off, write characters and situations, direct them in a certain way, light a certain way, then have music, just one element, totally change it any which way you please. Crazy!
Just thought I’d share….
- Christopher
The scene I picked is quite dramatic, involving my main character and her boyfriend. The composer first tried an acoustic guitar, then switched gears to synth pads and piano. The difference between the two blew me away! With the guitar, the scene was sweet and melancholy, with the pads and piano, it was eerie and slightly neurotic. Wow! The same scene, same performance, but two totally different experiences.
Okay, duh! right? Well, until you sit there and watch your film be totally manipulated by music in front of you, it doesn’t quite hit you. It was rather disconcerting that I can work my ass off, write characters and situations, direct them in a certain way, light a certain way, then have music, just one element, totally change it any which way you please. Crazy!
Just thought I’d share….
- Christopher