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Why do videos offering advice on audio have such poor audio themselves? Why would you want to take advice from someone who doesn't even care enough to do decent audio on a clip purporting to be expert advice on audio?
I wonder, from all the TV/film people... how many % would "suck" (is this going to become a pwoo pwoo ?) in audio ?
It's quite a lot I think....
And if you would give a camera to the same people a SD 442 with a 744 or 788 or even cantar.... what would they "struggle" most with ?
It would have been an order of magnitude more helpful (and credible) to actually demonstrate the technique while shooting the video. In fact a before and after comparison wouldn't have taken 5 minutes more to shoot and edit, and no more time in the finished video. Just sayin'.
Yeah I think it would be a big percent. Production and post-production sound are the most mysterious aspects of filmmaking to me, and it seems to be the most difficult to find information about. Or maybe it's just difficult for me to grasp the information that is out there because it is very technical.
I'd love to learn more though.
I notice that, when I show up with terms like Foley (Noiz will be happy.....) ADR, roomtone,.... Some have the "huuu ??????????" reaction...
small quiz
What are:
wild lines
wild sounds
ha !!
That doesn't surprise me one bit. The only reason I knew what foley was when I was younger was because I went on the studio tour at the Universal Studios theme park...and the way I heard about ADR was from watching a behind the scenes featurette on a DVD...
The way I've understood it is that you record lines or sound without shooting film orvideo for the sole purpose of capturing the best audio possible in hopes that you will be able to use some of it to loop over the takes you shot on video or film.
Is that right?