Captain Pierce
Veteran
I realize this is not the primary purpose of this forum, but if there's any of you out there, I could use a little advice.
I've decided that I need some Countryman E6i mics in my company's rental inventory. (Well, technically I decided that about a year and a half ago, but now I think I'm in a position to actually make it happen.
) I have about three to four shows a year where they'd be useful (and that's in my office, we have five other branches), which are the following:
1. Big room, exhibition hall, speakers flown from ceiling. Have successfully used E6 or E6i (not sure which, rented by client from another company, but I think they're the same mic element anyway, just a different boom) omnis for presenters in this room, but also have a need for four to be used by singers using floor monitors.
2. Same big room, smaller audio scale (whole room doesn't need, or even want, to hear the show), mic'ing chefs doing cooking demos (those white chef jackets really don't work for lav placement
). Stage is about 16 feet wide, with speakers on floor stands right at the front corners.
3. Recurring show held in various hotel conference rooms at least twice a year, using house sound (ceiling speakers) for presenters.
Based on show #1, I already know I need four of the cardioid/hypercardioid switchable versions (if that show comes back) to go with the floor monitors. What I'm wondering is, based on the other two shows, do you think I should gete any omnis at all, or do you think the omnis are going to give me feeback issues in those circumstances and I should just cross-rent if I need a couple for show #1?
Thanks for any advice you can offer.
I've decided that I need some Countryman E6i mics in my company's rental inventory. (Well, technically I decided that about a year and a half ago, but now I think I'm in a position to actually make it happen.
1. Big room, exhibition hall, speakers flown from ceiling. Have successfully used E6 or E6i (not sure which, rented by client from another company, but I think they're the same mic element anyway, just a different boom) omnis for presenters in this room, but also have a need for four to be used by singers using floor monitors.
2. Same big room, smaller audio scale (whole room doesn't need, or even want, to hear the show), mic'ing chefs doing cooking demos (those white chef jackets really don't work for lav placement
3. Recurring show held in various hotel conference rooms at least twice a year, using house sound (ceiling speakers) for presenters.
Based on show #1, I already know I need four of the cardioid/hypercardioid switchable versions (if that show comes back) to go with the floor monitors. What I'm wondering is, based on the other two shows, do you think I should gete any omnis at all, or do you think the omnis are going to give me feeback issues in those circumstances and I should just cross-rent if I need a couple for show #1?
Thanks for any advice you can offer.