Just curious. I don't thnk we've ever heard from one.
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I do Foley all of the time. It is very time consuming but I love it and would not trade the experience for anything. The true artistry of Foley, as with most things in film, is in the sutleties. The best complement that I can receive is none at all. Most people when they watch a film that I have done sound for, especially foley will never tell that it was all manipulated after the fact.
If you're interested in learning more about Foley, then you should check out this book.
The Foley Grail by Vanessa Theme Ament
It's not so much that they don't have a sound, it's creating a sound for them that will have an "impact" on the soundtrack. I did a short a few months ago where the main character was an artist and had to make convincing sounds for silk tassels and other "soft" objects.The "difficult" part of it is to find sounds for things that doesn't have sound...
I've done quite a bit of Foley work, but wouldn't consider myself a professional Foley walker/artist.
It's not so much that they don't have a sound, it's creating a sound for them that will have an "impact" on the soundtrack. I did a short a few months ago where the main character was an artist and had to make convincing sounds for silk tassels and other "soft" objects.