Almost perfect on-cam fill light?

For using as an on-cam fill light in addition to the studio lighting for when getting very close to the subject. The light that you don't see back on the video, but you would see it if it wasn't there. I think that position, from around the lens, it's the best position to come from.
 
Not so much for a fill light; it'll wash out part of your key. But then, if that's the look you're going for, then maybe it's right.
 
Maybe my usage of the word "fill" is wrong here, it means that I need a little amount of light coming from the camera in addition to the strong light coming from the fluorescent heads.
 
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