Achieving great catch/eye light tips?

JSFILMZ

Well-known member
Hello there guys. Im trying to start to implement catchlights in my videos using a small light on top of the camera. My question is, how do i get rid of the shadow its casting on my background. I love the look of it but i don't want the eyelight to cast shadow if possible. Any help would be greatly appreciated. Thank you in advance.

 
Hello there guys. Im trying to start to implement catchlights in my videos using a small light on top of the camera. My question is, how do i get rid of the shadow its casting on my background. I love the look of it but i don't want the eyelight to cast shadow if possible. Any help would be greatly appreciated. Thank you in advance.


From my still photography wedding days I would have my flash mounted on the camera so it was 12” or more above the lens and pointed slightly downwards. This way it would throw the shadow down and below the subjects head if they were near a wall. There still would be catchlights in the eyes. The other option is to have your subject 6 feet or more from the background.
 
Just turn it down some more or diffuse it. The catchlight shouldn't be having a noticeable effect on your lighting at all. Back in the day it'd be on a stand super far away, dimmed down and diffused to hell so it'd show up as a reflection in the eye but not actually add any exposure to the scene.
 
Yeah, turn it down a notch, or move further away from your background and light your foreground and background separately.
 
From my still photography wedding days I would have my flash mounted on the camera so it was 12” or more above the lens and pointed slightly downwards. This way it would throw the shadow down and below the subjects head if they were near a wall. There still would be catchlights in the eyes. The other option is to have your subject 6 feet or more from the background.

Thank you i will try this one out
 
exactly i dont want it affect my lighting at all. I will try diffusion as well. I originally didnt use diffusion since i didnt want the light to scatter. I dont have any flags to cut light out hahaha. Thanks!
 
If it's dim enough, you only see it in the eyes because the eyes are reflective with moisture
 
Keep the catch light to 4-5 stops under key. That'll make it basically invisible (in terms of it's impact on your subject's face) but you'll still get the reflection (if placed correctly).

It is a very fine art.
 
Keep the catch light to 4-5 stops under key. That'll make it basically invisible (in terms of it's impact on your subject's face) but you'll still get the reflection (if placed correctly).

It is a very fine art.

I blame The Punisher in Netflix, its what made me really want to get into catchlights. Some of the eyelights they have on the show was pretty hard to figure out. I decided to measure with lux, this video the catchlight was around 46 lux. Im thinking of maybe getting a bigger source since the light I used was a small LED. Thanks again guys
 
Basically anything that John Seale ACS ASC shoots....

The eyelight master.

Or you can just watch Fury Road and marvel.

JB
 

Attachments

  • 4C9W2DXK.jpg
    4C9W2DXK.jpg
    26.5 KB · Views: 0
  • FUFZ3W0H.jpg
    FUFZ3W0H.jpg
    40.9 KB · Views: 0
  • MVJI5GF0.jpg
    MVJI5GF0.jpg
    45.9 KB · Views: 0
  • T9U9S3OB.jpg
    T9U9S3OB.jpg
    43.3 KB · Views: 0
  • P2I9EHIU.jpg
    P2I9EHIU.jpg
    31.4 KB · Views: 0
  • JCA92FBH.jpg
    JCA92FBH.jpg
    43.2 KB · Views: 0
  • O0GCEZON.jpg
    O0GCEZON.jpg
    36.1 KB · Views: 0
  • JWW3DV6J.jpg
    JWW3DV6J.jpg
    35.5 KB · Views: 0
  • QB66ZB64.jpg
    QB66ZB64.jpg
    37.2 KB · Views: 0
  • 0BC6SANY.jpg
    0BC6SANY.jpg
    51.7 KB · Views: 0
  • R2YW9YHW.jpg
    R2YW9YHW.jpg
    36.2 KB · Views: 0
  • GWVZCQBB.jpg
    GWVZCQBB.jpg
    66.9 KB · Views: 0
Your catch light only needs to be at like .1% and you will still see it in the eyes.

This may be true for light colored eyes. Unfortunately, mine is dark so I am ending up turning it up some. Im thinking of getting a bigger source as well.
 
Back
Top