andybiz_2005
Well-known member
I was wondering if this was technically, or econamically feasible for a 6CCD cinema camcorder to be developed. Why 6CCDs you may ask? The first 3CCDs to handle each individual primary color (RGB) & the remaining 3CCDs to handle each individual complementary color (CMY). I'm not sure if I'm talking sense here, but is this at all even a consideration?
I've been thinking about this lately because I researched into high-end digital light projectors that have a 5 speed color wheel. This color wheel is composed of six sectors (Red, Green, Blue, Cyan, Magenta & Yellow filters) & rotates really fast to produce the colors to be projected on a screen.
Also, I've come across this stereoscopic camera system :
http://www.21stcentury3d.com/press/pr-060117-3dvx3.html
Pretty cool setup for a DVX don't you think?
I wonder how they managed to make those DVXs record RAW 4:4:4 color samples & immediately dump them to external harddisks?
I've been thinking about this lately because I researched into high-end digital light projectors that have a 5 speed color wheel. This color wheel is composed of six sectors (Red, Green, Blue, Cyan, Magenta & Yellow filters) & rotates really fast to produce the colors to be projected on a screen.
Also, I've come across this stereoscopic camera system :
http://www.21stcentury3d.com/press/pr-060117-3dvx3.html
Pretty cool setup for a DVX don't you think?
I wonder how they managed to make those DVXs record RAW 4:4:4 color samples & immediately dump them to external harddisks?