16:9 in camera 'widescreen'
- Thread starter jonwolf
- Start date
Re: 16:9 in camera 'widescreen'
100 or 100A? If 100, there is no squeeze mode - only letterbox.
100 or 100A? If 100, there is no squeeze mode - only letterbox.
Re: 16:9 in camera 'widescreen'
You probably have to crop if you want to do that. Post in the FCP section . . .
You probably have to crop if you want to do that. Post in the FCP section . . .
Boy
Active member
Re: 16:9 in camera 'widescreen'
if you've already shot in letterbox, then just use the footage as you would as a regular 4:3 sequence. if you're making a trailer for the net, then upon compression you can specify a frame size with a true aspect ratio of 16:9. that way it won't show up as a quicktime window with letterboxing.
if you've already shot in letterbox, then just use the footage as you would as a regular 4:3 sequence. if you're making a trailer for the net, then upon compression you can specify a frame size with a true aspect ratio of 16:9. that way it won't show up as a quicktime window with letterboxing.
Re: 16:9 in camera 'widescreen'
there are at least 6 threads on this, for the definitive answer get barry'd dvx-100 book.
i have the hardware 16:9 anamorphic lens and i have played a little bit with the in camera squeeze and it is handled the same way by premire, in other words it is shot with the pixels being 1.2 vs .9, so the software can't tell the difference between footage shot with the in camera 16:9 and the anamorphic lens.
matthew
there are at least 6 threads on this, for the definitive answer get barry'd dvx-100 book.
i have the hardware 16:9 anamorphic lens and i have played a little bit with the in camera squeeze and it is handled the same way by premire, in other words it is shot with the pixels being 1.2 vs .9, so the software can't tell the difference between footage shot with the in camera 16:9 and the anamorphic lens.
matthew